A Christmas Carol Essay Example for Free

A Christmas Carol Essay His room has undergone a transformation which is symbolic of Scrooges attitude changing dramatically towards goodness. Dickens uses colour to explore the detail in the room. The walls and ceiling were so hung with living green, that it looked a perfect grove; from every part of which, bright gleaming berries glistened. The crisp leaves of holly, mistletoe and ivy reflected back the light. This also resembles the goodness of Christmas as Christmas items are commented upon. On the floor then appears a kind of throne, there were turkeys, geese, game, poultry, brawn, great joints of meat. This represents richness and also creates setting. The description of the ghost reinforces the goodness of his character: free as its genial face, its sparkling eye, its open hand, its cheery voice. This is what Scrooge should become. As Scrooge speaks to the spirit he realises how he is changing his attitude towards goodness. I learnt a lesson which is working now. To-night, if you have aught to teach me, let me profit by it. Dickens uses the senses to make the description rich which is in contrast to the poverty we next visit. that peoples mouths might water gratis as they passed; there were piles of filberts, mossy and brown, re-calling, in their fragrance. innumerable people, carrying their dinners to the bakers shop. The sight of the poor revellers appeared to interest the spirit very much. In this stave the weather is in direct contrast to the stave before. Dickens makes such rich contrast in the setting to address the theme of goodness and also to create the mood of what is to come. In this stave the weather has changed as it is an urban setting and murky and grim. The sky was gloomy, and the shortest streets were choked up with a dingy mist. Whereas in the stave before the weather was bright with clear skies and a rural setting. The darkness and the mist had vanished with it, for it was a clear, cold, wintry day with snow upon the ground. Dickens does not limit harshness to the urban setting. they stood upon a bleak and desert moor, where monstrous masses of rude stone were cast about. This resembles the background to the poverty Scrooge sees. Dickens also uses personification again to create character instead of setting. Fat chestnuts are like fat men and onions are like Spanish friars, providing a cheerful background to the bustle of Christmas. In Stave four we meet the last of the spirits, the spirit of the future. It is evident that Scrooges attitude towards goodness is changing as Scrooge waits for the spirit to show guidance to make him a better person. But as I know your purpose is to do me good, and as I hope to live to be another man from what I was, I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me? The spirit then takes them both to a dark urban setting to explore Scrooges future. They scarcely seemed to enter the city; for the city rather seemed to spring up about them. We then hear Scrooges business associates talking. They are described as ugly and unpleasant characters which resemble what Scrooge was like. No, said a great fat man with the monstrous chin. As Scrooge hears the business men talk about his death he realises how no one cares about his death and becomes hurt. This pleasantry was received with a general laugh. Its likely to be a very cheap funeral. Scrooge demands to be taken to where someone cares. The spirit then takes them to the Crachits household where the family are unusually quiet as they grieve over the unexpected death of Tiny Tim, and not Scrooge. Quiet. Very quiet. The noisy little Crachits were still as statues in one corner. Ah, poor Tiny Tim! Scrooge feels guilty about his death and feels sympathetic. The spirit finally takes Scrooge to a dark graveyard and his gravestone which reinforces what Scrooge will become if he does not change. There he breaks down into complete grief and says how he has learnt his lesson and he is a changed man and how he knows how his responsibility to society has a great importance. I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, Present and Future. The spirits of all three shall strive within me. I will not shut out the lesson that they teach. This is similar to J. B. Priestleys An Inspector Calls as the theme that runs throughout the play is Responsibility to Society. Interestingly it also resembles the play in the way time is changed The final Stave contrasts sharply with the first Stave as both Character and Setting have dramatically changed. The setting in the first stave was cold and bleak but here there is No fog, no mist, clear, bright, jovial, stirring cold; cold piping for the blood to dance to; Golden sunlight; Heavenly sky. This is symbolic of Scrooges character as he has dramatically changed from the start when he was a tight and mean man. Throughout the novel Scrooge has changed his attitude and developed goodness. He has learnt a lesson from the three spirits, each changing him bit by bit. It is evident as in each Stave he slightly changes his attitude. This is also reflected in the setting as each Stave explores the theme of goodness.

The music video of Michael Jackson Essay Example for Free

The music video of Michael Jackson Essay The music video of Michael Jackson named Billie Jean maybe considered as one of the best solos written by the great artist. The song was part of the multi platinum selling 1982 album ‘Thriller’. It was produced and written by the artist himself and he believed that the song would be a hit from the beginning. He even quarreled with the producer about including it in the album. He put up a fight with his producer Quincy to keep it in the album. The song was included in the album ‘Thriller’ and became one of the well known ones in the group. The presentation mainly features Jackson being followed by another person who is conceivably a detective of some sort who tries to record some proof about the relationship of MJ with a girl. As usual the whole video is shrouded in an aura of the supernatural and the singer is exalted to another plane beyond that of mortals. This cannot be counted as anything extraordinary, as the technique is employed only to keep the attention of the viewer glued to the screen. The Analysis of Billie Jean The song itself is named after a girl. The girl, according to MJ, is a model of girls called groupies. Groupies, who hung around back stage doors, loved performing artists, and followed them around on their tours. Such girls often suffered setbacks and were prone to drug addiction and mental instability. The song starts with MJ praising the beauty of the girl, but the mood of the singer in the video is rather gloomy. There is a private detective following him, from what follows, maybe he is trying pick up some piece of evidence. The lyrics ooze out the sympathy of the singer to the girl and the video shows him slipping from the person following him. The first feel that you get when you watch the video is the sad mood of the song as well as the lyrics. It goes without mention that the solo is rather in empathy with the girl in the poem. It is seems as if Jackson was sad that he had broken somebody’s heart. But at the same time he is rough with the rough. He traps the person who tries to trap him, maybe a paparazzi of some sort. The video depicts Jackson endowed with the supernatural, as in many of his other videos. It starts in a shady part of the town, being changed by the presence of the singer. The setting suits the mood of the poem and indicates the gutters in which MJ’s imagined lover lives. His steps are marked by light and he exudes kindness in his actions and gestures. He is followed by the detective (or reporter) who tries to be inconspicuous. After this a newspaper that shows ‘Billy Jean Scandal’ written on it is shown falling from the hands of the detective, which puts us directly in the middle of the scandal that Jackson faced a short while before the video was made. The lighting up of the steps, the sudden alteration that happens to the man who is given a penny by Jackson, his disappearing act twice in the video, all give it an appearance of the majestic presence and prowess of the singer. It is a device used by the icon in many of his songs and this cannot be seen as something calculated to make him a mythical icon or something equivalent. MJ was the first among many who successfully utilized short videos to convey a strong background to the song and dance, thus keeping the audience spellbound. The video is made to suit the lyrics and it is the lyrics that clearly get the upper hand during the song. Without such powerful lyrics the song may not have become such a hit. The best reason for this assumption is that the lyrics could stand alone, but the video could not stand alone and a viewer would not be able to make heads or tails out of it. â€Å"But the kid is not my son†¦Ã¢â‚¬ is a very powerful phrase oft quoted within the lines in the poem. Then the newspaper headline ‘Billie Jean Scandal’ clarifies only with the â€Å"She says I am the one†¦.. †. At first it is a sign of negation, but later on the tone changes, that though he sounds to be sympathetic, he is also saying that he has done nothing wrong. It is as if the singer was laying out his innocence as well as his competence to deal with the traps before the audience. I feel that we should consider the fact that MJ was also a partner in the production apart from Quincy who produced the video. Jackson’s experience with the groupie an year back could have controlled the way he produced the video. If this was an outburst, he would have certainly left some clues within the video, even while negating it before the public. The clues would be there, for those who knew where to look for them. We find that the experience was personal and reflected in the video, under close scrutiny. The girl on bed whom Jackson is photographed with, by the detective is anonymous. We should read this together with â€Å"the kid is not my son†¦Ã¢â‚¬ . He never negates what the girl was to him. His approach to the girl is sad and thoughtful and not menacing. The video is also sympathetic with the girl, because he approaches her in the bed. ( It could also be that it was done to trap the detective, so that the he could be trapped by the police). MJ uses several techniques in the video to make it convey the mythical image of the hero. The steps he take is always lighting up. Even the pillar he leans on lights up. Once when the detective tries to catch him he just disappears. The lighting up technique is later used to show the invisible presence of MJ following the arrested detective. Another technique is the presence of the cat, which can be seen to change its size. All these things work together to capture the attention of the viewer. We should say that he succeeded in this technique. Another major success that was achieved by MJ was that he left many things unsaid and left it to the intelligent viewer to decide about it. It is true in the case of short films that often the director feels it painful to leave out scenes that were difficult to shoot. But MJ has been careful to present only the bare minimum that was needed to present the story, and left the rest to the viewer’s imagination. Another great technique is the start/stop dancing technique of MJ which gained popularity with his as well as his teams support. This is what makes the video exceptional. The technique is physically very complicated and gained popularity around the world with its use by MJ. The dance stills used in the video is superb and the all compliments are due to the editor who has done wonderful job of editing the whole video to perfection. This comparatively slow number catches all the attention of the audience. Its title was actually related to another video in the same album, ‘Wanna Be Startin’ Something’, rather than any connection with the star tennis player, Billie Jean King. First of all, the solo was introduced into the album which was named ‘Thriller’. As we hear the song, we find that the other songs are fast whereas this solo could not have withstood the heavy onslaught by other numbers. But, it was Jackson’s creative genius and a deep understanding of his audience that made him confident that audience could accept this slow number. He has said earlier that he knew the song would be a hit, because he felt exhilarated after writing the lyrics. His capability to keep his audience guessing along with his inimitable dancing style has made the video wonderful. I feel that the video was created with the effort enhancing the dream lover image of Michael Jackson. With the mighty stroke of an artist he establishes himself as the lover of dreams and the same time capable of outwitting his numerous enemies. He silently accepts the love of the girl, whom he agrees to be a groupie and proves to be too slippery to fall into a trap. He has appeared in another of his albums as lover cum vampire and I would even dare to say that he was a forerunner of Stephanie Meyer, who wrote the book ‘Twilight†. He has successfully established for himself, an image of the superhuman lover, that every teenager longs for in his/her unconscious. In this video, he has further enhanced it. This should be read side by side with the lyrics â€Å"People always told me be careful of what you do And dont go around breaking young girls hearts And mother always told me be careful of who you love And be careful of what you do cause the lie becomes the truth† Thus he indirectly speaks about his enticing personality and at the same time expiates himself of any connection with the girl in question. But then, he keeps himself open to relations. The versatile genius of MJ is very clearly brought to light and he is able to project himself as the youth icon, around the world. This video is a very good example for that. He also keeps everyone guessing and glued to the screen till the end of the video. Conclusion Michael Jackson was the undisputed king of pop music. The video was a landmark in the life of MJ. His ability to touch the hearts of his viewers was once again brought to light. The video earned him many awards and made him top many charts in America as well as Europe (Michael Jackson – Billie Jean (4:51)). Works cited: Michael Jackson – Billie Jean (4:51). July 29, 2010. 2010. http://www. last. fm/music/Michael+Jackson/_/Billie+Jean

Link Lifetime based Border Node (LLBN) Protocol

Link Lifetime based Border Node (LLBN) Protocol Link Lifetime based Border Node (LLBN) Protocol for Vehicular Ad Hoc Networks Sanjay Batish, Manisha Chahal, Sanjeev Sofat, Amardeep Singh Abstract Vehicular ad hoc network (VANET) attracts rising attentions of researchers for safety related and other communication applications. These networks have many challenging characteristics such as high mobility, fast changing topology and limitation of bandwidth. Under these problems, we proposed LLBN (link lifetime based border node protocol). Keywords VANETs, Routing Protocol, Position based Routing, GPSR 1. Introduction Vehicular ad hoc networks (VANETs) is emerging as an immense technology in wireless network that enable communication among vehicles. This network consist of vehicles, computer controlled devices, road side infrastructures, radio transceivers and internet connection. It attracts significant researchers, industry and government towards road safety, traffic control management and entertainment applications. Due to limitation of bandwidth spectrum, United State Federal Communications Commission (FCC) allocated 75MHz of bandwidth spectrum in 5.9 GHz band. Vehicles can communicate at a data rate of 6-27 Mbps up to a range of 1000m. VANET is a part of mobile ad hoc networks (MANETs). Many of existing routing protocols for MANETs are not suitable for VANET. Position based (geographic or location based) routings protocols are most suitable for VANET environment due to extremely dynamic topology and repeatedly disconnected network. In these types of routing protocols, forwarding decision is based on location of destination and location of nodes one-hop neighbors called as position based greedy forwarding routing. Border node based protocols, for example Border-node based most forward with in radius (BMFR) follow greedy forwarding by considering concept of border node. Border node concept is used to reduce the hop count between sender node and destination node, that lead to conservation of bandwidth. Nodes lie on transmission range of a particular node are called as border node. This idea of border node suffer from link failure due to unrestricted road patterns and dynamic topology. In this paper, we proposed a link lifetime based border node protocol (LLBP) to perk up existing unicast location based routing protocols. If b-mfr results several border nodes projected at same point towards destination, then check for most stable path by considering link life span. 2. Related Work 2.1. Border Node Based Routing (BBR) Protocol M. Zhang and Richard S. Wolff have proposed BBR to minimize total no for nodes involved in routing process. Here, every node maintain three tables: Neighbor Table, Border Node Selection Table and the Forward Table. It works in two phase, first one is neighbor discovering like in all other position based protocols and next phase is border node selection process. 2.2. Greedy Perimeter Stateless Routing (GPSR) protocol B. Karp and H.T. Kung have discovered GPSR position based protocol for vehicular network. In greedy mode each node forwards packets to next hop that is constantly nearer to destination, until the packet reaches its final destination. GPSR recovers from a local maximum using perimeter mode. It uses an algorithm of planer graph traversal to find a way out of the local maximum region. 2.3. Border-node based most forward with in radius (BMFR) Ram Shringar Raw, D K Lobiyal have proposed this protocol by making use of border node. One-hop neighbor selection method is same as other position based protocols but here border node consider as a next-hop node for forwarding packet from source to destination. Under border node selection process, select the one which is maximum projected towards the destination. In this protocol, problem of confliction( as shown in figure 1) between two or more border nodes may occur. Figure 1. Problem in BMFR 2.4. Movement-Based Routing Algorithm (MORA) F. Granelli and G. Boato have applied this algorithm on GPSR. It considers approach of movements of vehicles along with the position of vehicles. Firstly sender node flooded the network with route request message . Destination node send route reply message with a specific metric. After that sender transmit data according to method used in GPSR protocol. 2.5. Movement Prediction-Based Routing (MOPR) Protocol H. Menouar and F. Filali proposed MOPR protocol to improve the MORA. This protocol also consider speed of vehicle along with direction and position of vehicle. Vehicle, which is expected to go out the communication range in a short period time will not be selected as a next hop for data forwarding if some better node is available. 3. Link Lifetime based Border Node Routing To increase the performance of BMFR protocol, we have applied link lifetime on BMFR. As already discussed, BMFR decrease number of hop counts through which data packets travel, but a problem arises when more than two border node towards destination projected at same point. We believe that considering only the bandwidth is not enough in unicast routing. The vehicle movement and link failure should be taken into account. A border node which goes outside the radio transceiver range should not be selected as a next hop. We propose our LLBN concept applied to BMFR ( as shown in Figure 2,3). . Figure 2. Link life time calculation Figure 3. LLBN Protocol 4. Proposed Algorithm Case a: Send packet to most projected border node towards destination Notations NS: source node ND: destination node NRf: recent forwarding node Set: recent forwarding node neighbors SetS: set of selected node NextN: selected next node Rmax: maximum communication range LC: link constancy LLT[p, q]: link(p, q) life time 1. NCf = NS 2. if ( ND lies within Rmax(NRf) ) then send data to ND else go to step 3 3. Compute Euclidian distance of all nodes in Set from NRf 4. for all Ai ∈Set, i = 1 to n if (distance of Ai from NRf == Rmax) then SetS = SetS ∠ª Ai else interior nodes 5. Calculate projection(P) of Ai on line joining NS and ND 6. Choose next neighbor node (Nnext) having highest projection if (Nnext == 1) then // only one maximum // projected node send data to Nnext else if (Nnext ≠¥ 1) then // two or more maximum // projected nodes go to step 7 Case b: Confliction between two or more border nodes occurs (Xp0, Yp0): initial position of node p in X and Y coordinates (Xq0, Yq0): initial position of node q in X and Y coordinates Vp: speed of p vehicle Vq: speed of q vehicle t0: initial time t1: time after movement of nodes t = t1 t0 Din = initial link distance Dmov = link distance after movement Λ = constant routing route validity time D2mov = ( ( Xp0 + VXpt) (Xq0 + VXqt) )2 + ( ( Yp0 + VYpt) (Yq0 + VYqt) )2 D2mov = P t2 + Q t + R P = VXp VXq Q = R = Solve P t2 + Q t + R R2max = 0 LC[p, q] = LLT[p, q] / Λ find link having maximum LC[p,q] Conclusion References [1] Hamid Menouar, Massimiliano Lenardi and Fethi Filali Movement Prediction-based Routing (MOPR) Concept for Position-based Routing in Vehicular Networks, IEEE 66th Vehicular Technology Conference, Baltimore, MD, October 2007. [2] F. Granelli, G. Boato, and D. Kliazovich, MORA: a Movement-Based Routing Algorithm for Vehicle Ad Hoc Networks, IEEE Workshop AutoNet, San Francisco, U.S.A., December 2006. [3] Brad Karp and H. T. Kung, â€Å"GPSR: Greedy Perimeter Stateless Routing for Wireless Networks,† ACM 6th annual international conference on Mobile computing and networking International Conference on Mobile Computing and Networking, Boston, MA, August 2000. [4] Mingliu Zhang and Richard S. Wolff Border Node Based Routing Protocol for VANETs in Sparse and Rural Areas, IEEE GLOCOMW, November 2007. [5] Ram Shringar Raw, D K Lobiyal B-MFR Routing Protocol for Vehicular Ad hoc Networks International Conference on Networking and Information Technology 2010.

Who or what is Edward Hyde? Essay -- English Literature

Who or what is Edward Hyde? Due to the Victorian background of this book we are led to believe Edward Hyde is a completely different character to Henry Jekyll but we soon start to find out that they are actually one person, but with just a slight physical and mental change. Some readers in Victorian times would have interpreted the story as a struggle between good and evil, with Jekyll being the 'hardworking, normal guy' and Hyde being the 'twisted, evil person'. This was emphasised by the Christian belief of humans having a divided soul. If your soul had been good, on judgement day you would be saved into heaven where as if it was bad you would be damned to hell. During 1859 Darwin was showing his ideas of humans descending from apes or simpler forms of life this confused and scared many Victorians, they were know longer unique they were part of one species among many. Stevenson's own experiences may also help us to tell who or what Edward Hyde is. Stevenson grew up in Edinburgh, which in itself had two faces. There was the up and coming 'new town' which was the re-generated modern part of town and the 'old city', which was covered with disease and poverty. Stevenson also lived a double life by day he would be studying in the 'new town', but by night he would go out to the 'old town' until late at night. This could be interpreted as the character Jekyll in the story actually being like Stevenson. Jekyll would work in his lab by day but at night he would go out to the towns of Soho. There are many connections between Jekyll and Hyde. On first appearance we learn that Hyde is a short, ugly and not like any other ordinary man, he also seems strong and unstoppable. People reacted to Hyde with a stro... ...feel any slight bit of emotion. Also 'audibly shattered' implies the shear force of Mr Hyde and even though he is able to hear the shattering of the bones inside the body it still doesn't make him stop, he continues with the beating just so he is able to get his 'kick' out of seeing someone in pain. Having understood the need for scientific experimentation, do we assume all experiments are necessary? In the case of Jekyll I think he needed to find out the unknown, so he could be satisfied by his evil side, which he had locked up for years. If the experiments had been more closely controlled in the beginning this could have been a better ending. I think that taking potions (drugs) to dabble with mans dual nature is never a recommended path. The best method of release is always the natural way, let the inner good and evil show itself when it is necessary.

How Personal, Organizational, and Cultural Values Affect Decision Making :: Gandhian Movement Socialization Society Essays

How Personal, Organizational, and Cultural Values Affect Decision Making Self-limiting Conflict: The Gandhian Style I have mentioned two basic categories of conflict regulation scholarship. In the preceding section we concerned ourselves with the first, specialists engaged in third-party intervention research and experimentation-intermediaries, negotiation, conciliation, communication control and modification. The second involves the study of ways of waging conflict that tend both to keep it within bounds and to limit its intensity or at least the possibility of violence-nonviolent social movements, nonviolent resistance on the part of individuals and groups, nonviolent alternative national defense strategies. Let us look at conflict processes that are self-regulating in nature, i.e., that have built-in devices to keep the conflict within acceptable bounds and to inhibit violent extremism and unbridled escalation. Socialization is an important determinant of the style and effectiveness of conflict regulation in any society. If Tolley (1973) is correct in placing the formative period for attitudinal and behavioral patterns concerning peace/war issues and conflict regulation styles at ages 4-12, then learning creative approaches to conflict regulation through family, school, mass media, and other primary learning environments is essential. There are a few sources dealing with this problem (Nesbitt, 1973; Abrams and Schmidt, 1972). There are societies and groups within societies that socialize their members in effective conflict regulation. Bourdieu (1962) describes Berber Kabyles of North Africa as a society held together by a process of balanced and strictly controlled conflict Self-Limiting Conflict in which members are socialized to avoid violence: Elise Boulding (1974) observes that there are certain types of family environments and child-rearing practices that tend to produce persons with nonviolent proclivities and creative response patterns to conflict. Ultimately the socialization process, political socialization in particular, is probably the most important conflict regulation device. We should soon learn some interesting things about the impact of a decade of involvement in an unpopular war on the attitudinal and behavioral patterns of America's youth. Etzioni's self-encapsulation concept is very useful here. It is a process in which certain conflicts are increasingly limited by their own nature and by the nature of the host system, so that the "range of expression of the conflict is curbed." Certain modes of conflict and weapons are excluded by mutual, sometimes tacit, consent, and the conflict becomes ritualized-the game is played by the rules, so to speak. Dahrendorf's analysis of the institutionalization of labor/management conflict over the past half century is an excellent illustration of self encapsulation.

The difference between Classical music and classical music? :: essays research papers

In this essay I am going to look at the differences between Classical music and classical music. There are many differences between the two, one is an era and the other is a type of music. Classical is an era, it is from about 1730 to just after 1800. There are 5 different periods in time (for music), Renaissance, Baroque, Classical, Romantic and Modern (20th Century). At this moment in time, we are still in the Modern period of time even though we are in the 21st, not 20th century. A few people who contributed to the music in the Classical era are: Ludwig van Beethoven, Joseph Haydn and Wolfgang Amadeus Mozart. The period that came before the Classical period, the Baroque, was a time of ornamentation and cluttered sounds. The Classical period focused on the opposite types of sounds- music during that period was orderly, uncluttered, well planned and precise. Music was expected to be technically pleasing and grounded in certain traditions and styles that had been "approved" by the public, often quite formal. Composers were seen as workers who were hired to write music that would please their employer. Vienna, Austria was the center of musical activity during the Classical period. Composers traveled from near and far to study with music teachers in Vienna. Vienna was such a hot spot for musicians that a style was even named for much of the music composed during the time: the "Viennese Style." The size of the symphony orchestra was growing, allowing composers to create more complicated pieces calling for new instruments that made unique sounds unheard before this time. Opera remained very popular, as did symphonies (large works with several sections composed for entire orchestras to play), concertos and sonatas (pieces featuring one instrument). Classical music (with a lower case ?c?) is completely different from Classical music (with a capital ?c?), classical music is music that is quite formal, and usually played by an orchestra that has lots of string instruments.

Jeremiah as a Christ Figure in Peace Like a River

Jeremiah as a Christ Figure in Peace like a River In the novel Peace like a River, Leif Enger creates the character Jeremiah Land as a Christ figure in order to convey the character’s role as a person whose life is spent serving others. Throughout the novel, there are many miracles performed, and some seem to obviously connect with Jeremiah. The intent of making Jeremiah a Christ figure comes to fulfillment by the novel’s end, when Jeremiah sacrifices his life to save his son, Reuben.In the creation of Jeremiah as a Christ figure, Enger reminds the reader of the importance of self-abnegation and apprehension for others, attitudes that make the pains of human experience tolerable. As stated, there are many miracles in the novel. In the beginning of the novel, Reuben sneaks outside to use the bathroom, when he sees his dad, praying in the bed if the truck and he walks straight off and continues walking without falling. At Christmas time, Davy gives Swede a saddle, but it has an unfixable break in the seam, which is miraculously fixed after Jeremiah tripping over it and bringing it up to her room.One night, after Davy had broken out of jail, Tin Lurvy stops by the Land house and is served soup, but after at least eleven bowls total were served, the pot in which it was made was more than half full. Some miracles are very obviously connected to Jeremiah, like his walking off the truck, but there are others that are not so obvious. In the New Testament, Jesus feeds five thousand people with five loaves of bread and three fish, which connects to the somehow refilling pot of soup that Tin Lurvy kept eating.Supposedly, Jeremiah would boil water with some vinegar and that would help Reuben breathe better, but I believe it was Jeremiah himself when he made it for him. There is a point in the novel where the miracles seem to cease. It is the arrival at Roxanna’s house. They were running on the extremely small amount of gas that apparently lasted for th e entire morning until the found Roxanna and the gas company. After a while, Jeremiah had decided to court Roxanna, and the miracles stopped after that, for he spent most of his time in the Airstream inherited from Tin Lurvy after his heart attack.Reuben still had trouble breathing, but when Swede made the boiled water for him, it didn’t work well. After identifying many facts that support the claim, it is certain that Enger created Jeremiah Land as a Christ figure. But, miracles sometimes being called â€Å"acts of God†, most are not. There are many ordinary miracles happening all over. A woman that works two jobs an still finds time to take her kid to soccer practice; a teenager who says no to drugs and yas to an education; these are miracles you see each day, all the time, everywhere.